Let me digress, for one post, from discussing austere abstractions about the design of tournaments to some unusual aspects of being among the spectators at the one I’m attending now: The Western and Southern Open tennis tournament (W&S).
There are good reasons to go and see top-class tennis in person. As so often, no one said it better than David Foster Wallace: “TV tennis is to live tennis pretty much as video porn is to the felt reality of human love.”
There are also, however, some good reasons not to watch tennis live. Watching live tennis often means sitting on hard seats or benches in the hot sun for hours at a time.
This year, for the first time, the folks who run the W&S have a new viewing option for wimpy heliophobes like me: the First Financial 1899 room. “First Financial” is the sponsor who snagged naming rights for the new room, and “1899” celebrates the antiquity of the tourney, which was first held in 1899.
The 1899 room is part of a large new building that has been constructed between center court and the grandstand court. It contains 252 seats which look out through huge windows onto center court, all more or less at the baseline viewing angle familiar from television, and all reasonably close to the action–in the front row there are only eight rows of ordinary box seats between you and the court. The seats are upholstered. The room is air conditioned. There’s a special restaurant that only the holders of 1899 room tickets get to eat at, with tables looking out and the action on center court, and even a few looking the other direction for a good view of the grandstand court. There are squeaky-clean and little-trafficked rest rooms reserved for 1899 room denizens.
These comforts do not come cheap. But leaving aside the cost, it’s worth considering whether this way of watching tennis loses the qualities that David Foster Wallace prizes in live tennis. You’re watching tennis from a comfortable chair in an air-conditioned room through a wall of glass with the accustomed baseline angle used for television. Do these elements combine to create a viewing experience that’s disengaged from live tennis in the same way as viewing tennis on television in your living room? Continue reading “Tennis Under Glass in the 1899 Room”